Issue #43: Carnival

  • Carnival Memories

    The idea for this issue began with a line from a poem I read a few years ago, “hold a carnival in your body,” by Timothy Ojo. I no longer remember the poem’s title or the full sentence it was part of, but that single line has stayed with me. It returns at the oddest times, especially when life feels heavy and colourless. In those moments, I picture the quiet choreography inside me, the whisper of breath, the steady pulse of the heart, the movement of organs and tissues working without applause. There is a carnival unfolding in our bodies, rhythmic, persistent and full of life. It reminds me that even in stillness there is motion, and even in fatigue there is energy gathering itself for the next step forward.

    As we launch our first issue of 2026, I invite you to hold a carnival in your own body. Let this issue offer you colour, music and warmth. Let the poems shift the light a little. Let the stories stretch your imagination. Let the artworks open something new in you or return you to feelings you thought you had left behind.
    Semilore Kilaso
    Editor in Chief

    The staff of Zoetic Press shares some of their own carnival memories. 

    Butter Cow
    I love to shock my West Coast friends by reminiscing about the Illinois State Fair. It’s a sprawling, vivacious affair that blasts the senses from all angles. The waft of deep fried Oreos mingles indiscriminately with the nostril curling stink of cow patties. Politicians shake hands and nod respectfully at babies. Above their heads, screaming children corkscrew on some metal atrocity that was constructed the day before. Rotating in regal splendor at the heart of it all is a cow made entirely of butter, kept chilled in a glass atrium. Surreal and silly, the state fair must be experienced to be believed.
    Kaia Ball (they/them)

    Penumbra of Joy
    Wandering through the bustling grounds of the carnival, a mesmerizing tapestry of lights and glamour surrounded me. The vibrant colors danced across the night, reflecting off the thrilling rides and creating an enchanting glow that seemed to pulse with energy. I held my mom’s hand tightly, feeling the warmth of her grip anchor me as I navigated the lively currents of people swarming around us like a vibrant tide. 

    The air was rich with the sickly sweet scent of cotton candy and caramel popcorn, enticing my senses and sending my taste buds into a delightful frenzy. My mouth watered in anticipation of the glorious meal that awaited me—perhaps a giant corn dog or a funnel cake dusted with powdered sugar. Laughter and cheers filled the air, weaving together in a joyful symphony that pulled my attention in every direction, each sound promising new adventures and memories to be made.
    Yasmeen Owens

    It Was Self Defense
    I remember the first carnival when I got to go on every big ride and try the haunted house for the first time at twelve years old. I was mesmerised by the blinding lights, the deafening screams and laughter, the joy bursting at the seams of the tent as the performers displayed mind-blowing tricks. I remember the laughter my family shared at the mirror maze with all our distorted images around us. After the dizzying happy spell of the thrilling rides, the last part of the carnival was the haunted house. I stuck close to mom and dad with my eyes closed while my brother walked ahead of us, trying to spot the costumed ghosts before they jumped to scare him. I managed to survive it without a heart attack, but I did punch an animated prop out of fright just as we were about to reach the exit. My family didn’t stop laughing the entire way back home. 
    Aanchal Budhwar

    The Rewards of Good Behavior
    My parents hate big crowds, but one of my nana’s friends worked for the Minnesota State Fair and got free tickets to a band they liked. I don’t remember much except that my toddler sister looked ridiculous wearing construction-grade earmuffs, my brother just wanted to play catch the whole time, and I learned I have a sensitivity to flashing lights because I kind of, sort of, maybe passed out a little bit while sitting on my dad’s shoulders. I didn’t tell my parents because I didn’t want to go home, just lied and said I’d suddenly dropped backwards to be silly, and they bought us two shaved ices each for behaving well.
    Odi Welter (they/she/he)

    Fourth Grade Heroes
    When I was a kid, every grade school had an annual carnival fundraiser. It was mostly traditional carnival games: ring toss, tombola, basketball shoot. Even as a tiny child, I recognized that these games were old, worn, and kinda janky, and yet it was one of the highlights of the school year. Never mind that the people attending that carnival were the same people I saw every single day—my classmates and teachers—it was still a special occasion. The highlight of those carnivals was always the dunk tank. Any kid who could throw a baseball, hit a small target, and land the school principal in a tank of disgusting water was a hero for weeks afterward. 
    Li Quintana (they/them)

    Funnel Cake Mistake
    Growing up in a smaller town, the fair was the highlight of the summer for most kids in the area. For me, it was one of the only times I would have a bit of freedom (sort of) away from my parents with my friends. We would ride the rides until we felt nauseous then make the mistake of splitting funnel cake. The real highlight, however, was getting as many lemonade shake-ups as we could get before running out of pocket change. I still crave a lemonade shake-up now and then. 
    Rith Scott

    Stereotypes Destroy Unity
    A team-building event, we called it, and crammed ourselves into the carriage of a Ferris Wheel, still nervous and new to one another. We came from many countries and walks of life, brought together to nurture student writing. We bonded over the bird’s-eye view of the fair, its lights too bright to let us see the city beyond it. We walked around afterward, and when we passed by a game booth, I was the one pushed to the front to take the air rifle and shoot at the little tags. Because I’m American and the stereotype was funny. I guess nobody expected me to actually be good at it. And didn’t you all look at me differently, as I took my meaningless plastic prize? And I thought: I’m so tired of stereotypes. Let’s just stay on the Ferris Wheel forever.
    Bethany Andrews

Bianca R. Ambrosino

Carousel

Bianca is a former residential program manager and professional clown. She now spends her time writing, raising her children, and reading countless academic papers/ scientific publications (for fun).


Adewuyi Ayodeji

Awon, the Goddess of Love

Ayodeji is a Nigerian and holder of a master’s degree in Literature-in-English. His poems are published in Pensive: A Global Journal of Spirituality and the Arts, The Sextant Review, Open Minds Quarterly, The Liar Collective, Havik and elsewhere.


Kaia Ball

what makes a clown?

Kaia Ball crafts fiction with a scientist’s attention, nonfiction with an artist’s panache, and poetry as a love story to life itself. Their work has been published by Harper One, Electric Literature, New Reader Magazine, & beyond. They edit for Zoetic Press and Chrysalis Magazine.


Bethany Bruno

The Girl Who Breathed Smoke

Bethany is a Floridian author. Her writing has appeared in more than seventy literary journals and magazines, including The Sun, The Huffington Post, The MacGuffin, McSweeney’s, and 3Elements Review. Learn more at www.bethanybrunowriter.com.


Michael Loren Butkovich

Happy the Clown

Michael is a graduate of the New York Institution of Professional Photography.


Kate Falvey

Beyond the Midway

Kate’s work has been published in many journals and anthologies; in her collection, The Language of Little Girls; and in two chapbooks. She co-founded 2 Bridges Review, published through City Tech/CUNY where she teaches, and is an associate editor for the Bellevue Literary Review.


Devon E. Hayes

She Who Danced With the God of Smiles

Devon is a master’s degree student specializing in history with a focus on diaspora and cultural development. He is fond of mythos, cultural exchange, poetry, history, and storytelling. His work reflects a love of mythology and memory.


Liam Hogan

Dante’s Traveling Inferno

Liam is an award-winning short story writer, with stories in Best of British Science Fiction and Best of British Fantasy. He helps host Liars’ League and volunteers at the creative writing charity Ministry of Stories.


Dean Robert Holmes

Big Top

Dean’s work explores psychological themes and the power of queer love. Dean is on Instagram @fandomtransmandom, and his short story collection, Unlocked: Seven Titillating Tales of Gay Trans Love and Lust, is available now.


Valerie Hunter

Wolfram the Wolf Boy, 1887

Valerie teaches high school English and has an MFA in writing for children and young adults from Vermont College of Fine Arts. She writes in an attempt to make sense of the world.


Janina Aza Karpinska

Harlequin Breakfast

Janina has collage-artwork on the covers of Heart of Flesh; Drawn to the Light; The Genre Society; Under_Score Magazine; Viridine Literary, The Quasar Review, and in: The Empty Mirror; Rundelania; Grim and Gilded; Blue Mesa Review, and Quibble amongst others. 


Foyinsayemi Kilaso

Mirror of Merriment

Foyinsayemi studies Portuguese and English at the University. He developed a genre he calls Afro-Iberian Surrealism, a creative direction that blends African and Iberian cultural influences through surreal and symbolic imagery. IG @foyinkilaso


Abubakar Sadiq Mustapha

Dogari

Abubakar is a multimedia storyteller focusing on climate, identity, and displacement. A 2023 Imodoye Writers Residency fellow, his work has been featured internationally, including exhibitions in the USA, UK, India, Rwanda and UAE. He believes in art’s power to provoke change and mental wellness.


A. N. Myers

The Ice Bell

A. N. is a London UK based writer of speculative fiction. His recent short fiction credits include The Best of British Science Fiction, BFS Horizons, Sein Und Werden, and Confetti magazine by Westchester Writers. His YA science fiction novel, The Ides, is available from Amazon.


John-Ivan Palmer

Above It All

John-Ivan’s third book, Hypnotic Control, Reflections on the Nature of Stage Influence, was recently published by Whistling Shade Books. He divides his time between Minneapolis and his wife’s home town of Choshi, Japan. They garden and raise large moths.


Rory Rosenbaum

Charlie

Rory is an emerging multimedia portrait artist from Hampton Roads, Virginia. When not making art you might find them camping, playing guitar, or roller skating. Rory is enthusiastic about providing accessible art for everyone and wants to own a very colorful teaching studio someday.


Catherine Schmitt

July 1976

Catherine is a science writer, author, and journalist with a background in environmental science and a Stonecoast MFA. Read more at catherineschmitt.com.


David Sheskin

Here Comes the Circus

David is a writer and artist who has been published extensively over the years. Among the places his work has appeared are Puerto del Sol, Shenandoah, Chicago Quarterly Review, Mythaxis and DIAGRAM. His most recent book is Outrageous Wedding Announcements.


Topher Shields

Carnival Gospel

Topher is a queer poet from Aotearoa, New Zealand. His work traces a distinct queer mysticism. Born of rupture, ritual, and embodied light. His poetry appears in Puerto del Sol, The Shore, The Bangalore Review, Cathexis Northwest Press, The Dewdrop and elsewhere.


Zofia Sienicka

Papier-mâché

Zofia is a student of cognitive science and psychology in Warsaw, combining her love for creative writing with an interest in the philosophy of language and language development.


Jayasri Sridhar

One Last Carnival Before Landfall

Jayasri work has found homes in film festivals, international conferences and several publications including Kyoorius Designyatra, Insubordinate Vitalities (Writing Natures Vol 02), Bilori Journal and Heartlines Spec. Explore her projects at jayasrisridhar.com.


Veronica Tucker

Body Electric

Veronica’s poetry explores the intersections of medicine, motherhood, and being human. Her work appears in One Art, Eunoia Review, and Berlin Literary Review. More at veronicatuckerwrites.com and Instagram @veronicatuckerwrites.


Amanda Yskamp

Wonder Wheel

Amanda is a writer and collagist. Her artwork has appeared in such magazines as Black Rabbit, Riddled with Arrows, and Stoneboat. She lives on the 10-year flood plain of the Russian River, where she teaches writing from her online classroom.